Words in the air pirnt foot steps on the grown for us to put our feet into.–p. 121
I finally finished Riddley Walker and so I thought I’d write about it while it’s fresh in my mind, instead of packing or doing dishes or laundry or anything more pressing.
Walker is set in a post-apocalyptic future, where the human race has been bombed back into the stone age and laws and theology are communicated via puppet show.
The titular character inherits the role of making the connections between the puppet show and what’s going on in the community.
The plot is fine and interesting, but the language, a kind of broken pidgin English, is so beautiful it makes you want to read the book out loud and the hints of spirituality are fascinating.
I recognized a lot of stuff from germanic beliefs and I imagine someone more steeped in Celtic beliefs would find other resonances.
Of course, my favorite character was the Tell Woman, who seemed responsible for reading signs and omens and helping to keep the luck of the community going. I don’t have to tell you how old that idea is, but it was treat to see that that’s one of the things that survived or came back.
There’s also a sense in the book of the almost magical power of words and the importance of myths and stories in our efforts to understand something deeper about our own experiences.
I can’t believe I hadn’t ever heard of this before, but I liked it.