–When someone you know has graciously agreed to be your final possible-werewolf, you will wake up in the middle of the night in a cold panic about whether it’s clear that he’s only been the werewolf a short while, if he’s the werewolf at all, and thus is not possibly a serial killer or if you need to add a line explicitly saying that.
–You will add the line explicitly saying that. Believe me.
—Straight men find women framed with red sexier. Hey, there, Little Red Riding Hood, indeed!
–I’m specifically nervous about making sure that Tom’s turn as a suspected werewolf is not embarrassing for him. But I am in general nervous about working with artists. It’s not something that I’ve done before and I am not sure how much I need to be like “Do exactly this” or not. I’m playing it by ear, but my hope is that I can say “Here are the ten things we simply must have, but there’s a lot of other stuff that might catch your imagination or you might have ideas or whatever and I’d love to have that, too.” I was looking through some of the websites of the people I might be working with and their art is just… I can’t even express to you how amazing it is.
I’m trying to be all confident in person, but inside I’m completely intimidated.
–I keep a collection of wolf and werewolf songs–with the exception of “Werewolves of London” which suffers from being too… something… for me to listen to while working. I want to say “evocative” but I find these songs evocative. I think Zevon succeeds in creating a mood that is almost completely opposite of what I want in this particular instance. I mean, he’s a genius, of course. So, yes, he’s not here. Because his magic is too potent. Which sounds corny to say, but there it is. It’s the same reason I wouldn’t, if I were putting together a soundtrack for Project X, stick “Sympathy for the Devil” on it.
–Did I tell you guys Howlin’ Wolf ended up playing a pivotal role in Project X?
–My feeling about this is that either it’s going to be right up your alley and you will love it or it’s going to be too weird and fuck with history in a way that makes you mildly uncomfortable and you won’t like it. There’s no other options, really.
–The other reason the artists make me nervous is that I feel like this is stepping to the edge. Up until now, it’s been fun and wonderful, but if it didn’t work out, well, fine, then I have a weird thing I can stick in a short story collection someday. But once there are artists involved, once you’ve gotten people to commit not to their own vision, but to helping expand mine? There’s no turning back. This has either got to work or hearts will be broken. Mine, especially.