There have been Filipinos in Louisiana since the 1700s. Everything I know is always too simple. That’s how learning shit like this makes me feel.
Lesley Patterson-Marx is working on her illustration for The Wolf’s Bane. She’s got photos up at Instagram!
Here’s some artsy stuff I don’t understand, though I love the orange glow.
Her picture illustrates the herbal of Mrs. Overton. Here’s a picture of Mrs. Overton, for comparison (I love everything about that portrait. The look in her eye that the painter captured just warms my heart.)
I’ve been at an impasse with my pirate story for a few days. Not a writer’s block impasse, thank goodness. But that kind of impasse where you kind of know what happens next, but you’re just not sure. Characters aren’t quite standing in the right places for them to get to the places they seem to be going. But you don’t want to go back and move them if you’re not sure about the destination.
So, I wait. I just mull over different possibilities–do these people get along? Do they not? If not, why not? And I go back and read what I’ve already written and I reconsider what that information means. Sometimes, it suggests something more than it did when I first put it down, especially once I have the conflict more firmly settled on the page. Those details might now tell me more about how the story ends.
So, that’s what I’ve been doing with the pirate story. Just waiting to see what was going to make sense.
This morning, when I opened the garage door and let the dog out into the night, I started singing “Sweet Pauline, the Pirate Queen. Prettiest gal that I’d ever seen. Mean and tough and quick with a knife. She wouldn’t be a gentleman’s wife.” And I laughed, because it was totally a little bit a rip off of “Amanda,” though faster, but also because I knew it meant that the ending was almost ready.