So, This is What It’s Like

All day long, people complimented me on the Isaac Franklin piece. And it felt wonderful. If anyone didn’t like it, they didn’t tell me. Which was also wonderful.

I feel proud.

And relieved.

I kind of want to cry a little bit, but I can’t articulate why.

Isaac Franklin!

It’s up! Holy shit. The art is incredible.

I worked so hard on this, rewriting it and rejiggering it and reworking it, that my feeling upon seeing it live is almost tears of relief.

I think it’s good. One point that I would make, in retrospect, is that Franklin was considered at the time the epitome of a good slave trader. If you were going to “ethically” buy slaves, Franklin & Armfield was your best option. And this was Isaac Franklin.

There was no firm moral high ground to stand on as a slave owner. But one of the most important points that Ed Baptist makes is that there was no firm moral high ground to stand on throughout the whole cotton industry. An abolitionist wearing cotton shirts was a compromised man.

Anyway, fair warning, it discusses slavery and all that is entailed in that.