I have a cool, weird thing early tomorrow, so I spent my evening listening to podcasts and working on the afghan and very shortly going to bed. I have all the octagons together. I am beginning to place the squares. Here’s what I know. Each octagon has, wait for it, eight spines. Eight places where there’s one stitch on top of another all the way to the outside of the octagon, no funny business, no fucking around. Those spines are not all straight, because the first stitch on the ring slides pretty dramatically, but they will eventually work their way straight because the first stitch on the ring slides pretty dramatically AND each octagon is connected to at least two, usually four, other octagons. Those four short seams set in place the top ends of the spines and, more importantly, pull on them, eventually pulling them straight. But, I think, because the seams are so short, they don’t give the afghan the strong skeleton it would otherwise have. The afghan doesn’t pull all its weight at the seams. It pulls on those octagons.
The little squares seem to take some of the force off the octagons. It’s still holier than I’m used to, but I think it will look okay.
I’m having a lot of fun putting strips together and they look very fun and colorful. So, my heart is unhardening. I’m now curious to see how it looks all put together. I’m not used to making holy afghans, though, and this one is going to have some holes. I’m curious to see if I likeit or not.
I’ll tell you one thing about this discussion. It made me listen to Lightning 100 differently on the way home from work. Do they ever play two women back to back? Does any radio station I listen to? I think that dude is a jerk, but I think he may have said out-loud something true a lot of radio programmers believe, across genre.
I’ve been long giving Lightning 100, a radio station I really love, a kind of side-eye because they play very few black artists, which means that both Adia Victoria and Valerie June don’t get played, even though their music–though very different from each other–is exactly the kind of music Lightning 100 plays.
But I keep thinking how studies show that people perceive that crowds look “right” or that women are participating half the time, when women are only a quarter of participants. That feels equal to people–men and women (unless you happen to be one of the women directly shut out because there’s only room for one woman in every four people). How can that kind of conditioned bias no affect what we hear?
I’m sure country music fans perceive that they hear from a lot of women artists. That doesn’t make it okay. It just further shows that, in 150 years, the progress we’ve made in popular culture is to go from almost no presence to 25% presence. Obviously, that’s a pretty big change, but we don’t have the same space in public imagination that we have in real life. Still. Yet.