The thing about writing a first draft is that, even if you think you know what you’re writing and where it’s going, you can still be startled by how the story surprises you. And you can know those surprises may mean reworking things earlier.
I have an ending envisioned for Ashland. It is deliciously terrible. But I need my narrator to do something so vile and stupid that I about can’t believe that anyone would do it.
So, I’m curious if I can narratively make the argument that of course she would. You just have to try, you know? If it doesn’t work, I’ll work something else out. That’s what first drafts are for.