There is No Path

The hardest thing, I’ve decided, about publishing is that there’s no path. A lot of people are trying to do a similar thing, but everyone kind of figures out their own way to do it and the way they did it may or may not be available to the people who come after them.

I read a post today by an agent who was answering a question from a writer. The writer had had pretty good success with her first book at a smaller publisher which then went out of business. But the success had been good enough to put her on the radar of her second, bigger publisher, but bigger publisher didn’t promote her second book and it didn’t do so great.

The writer asked if she was done or if she should query under a pseudonym.

The agent’s advice was basically, yes, she was done and she should find smaller presses because no agent is going to want her. Her only choice, if she wants to stay in the big fish pond, is to write a blockbuster that will force the industry to change their minds about her.

It just has me wondering how long I should query agents on the novel or if there comes some point when I should start looking at small presses. I mean, frankly, I want to write the kinds of things I want to read. I don’t need to write books as my career and I’m not looking to be a full-time writer at this point.

I read a book this weekend, which I’ll leave nameless, which I liked a lot, that came out of a smaller press. I think my novel is that good. Should I send it to that publisher?

How do people decide what kind of press to approach? Am I doing it wrong?

Ha ha ha, lord, that’s the question that just permeates publishing–Am I doing this wrong?